The train has to keep moving or else there's no more crisis. Unstoppable is a suspense film with only one bullet in its gun. Because the train company's countermeasures are useless, veteran train operator Frank (Washington) and rookie conductor Will (Pine) are the only people who have a chance of stopping it. If no one stops it, the train will eventually derail, most likely in a populated area, and lots of people will die.
Train 777 is on a runaway course and is carrying tons of dangerous chemicals. Throw in strong chemistry between leads Denzel Washington and Chris Pine, and you have a film that is better than it should be, especially when that film is by Tony Scott. It's not a smart movie, or even a particularly exciting one, but it at least doesn't over-saturate every color and will hold a shot for more than half-a-second. However, I must bestow upon him higher praise than I ever thought I would: Unstoppable is surprisingly tolerable. After taking the same kind of approach with Domino, Deja Vu, and The Taking of Pelham 1 2 3, I held out little hope for his latest film, Unstoppable. Clearly, that moment needed an extra emotional punch. My personal favorite was when he decided to change fonts on the subtitles while a character was reciting a phone number. He assaults them on a regular basis by throwing out every abrasive edit possible. on November 12th, 2010.Ever since Man on Fire, Tony Scott has shown little regard for his audience's senses. Unstoppable arrives in theaters in the U.S.
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Scott is a director who knows how to deliver fast-paced action and his latest looks to do just that. The premise behind Unstoppable - stop the runaway train - is as basic as it gets and the film looks to avoid getting bogged down in excessive subplots that distract from the central set piece that is an immense, dangerous vehicle on the loose. There are also few actors that play no-nonsense characters as well as Washington does and Barnes seems like a role very much fitting of that mold. Scott's approach to filmmaking should actually work well in Unstoppable, given that the film is foremost an adrenaline-fueled thrill ride. If the mile-a-minute editing style, kinetic camera movement, and slight green tinted photography of the three previous Washington/Scott collaborations wasn't your thing, then chances are you might want to pass on Unstoppable.Ĭheck out the early footage from Unstoppable below and see what we mean: Unstoppable marks the fifth collaboration between director Tony Scott and Denzel Washington after Crimson Tide, Man on Fire, Deja Vu, and Pelham 123. Barnes and Colson have to race against time and work together in order to prevent the half-mile-long freight train from crashing into one of the nearby cities or towns. Washington's experienced train conductor, Frank Barnes, has little time to butt heads with newbie engineer Will Colson (Pine) before an experimental, unmanned train carrying tons of combustible chemicals goes out of control (whoever thought that was a good idea is getting a pink slip). Just over four minutes of footage from Unstoppable is now online and it offers us a better look at the runaway train thriller, which also stars Star Trek's Chris Pine and Rosario Dawson ( Sin City). Jump ahead to the present and Washington is still having transportation issues in this year's Unstoppable. Denzel Washington had to stop a train hijacked by John Travolta and his menacing walrus goatee in the 2009 remake of The Taking of Pelham 123.
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